|
|
Year |
Awardee |
Work |
|
41st |
2020 |
Jean-Sébastien CLUZEL |
Le japonisme architectural en France 1550-1930, Editions Faton, France, 2018. |
|
40th |
2019 |
No Selection |
|
|
39th |
2018 |
FUKAI Akiko |
Kimono and Japonisme: Japanese Aesthetics seen through Western eyes [Kimono to japonisumu: Seiyō no me ga mita nihon no biishiki], Heibon-sha, 2017 |
|
38th |
2017 |
IMAI Yuko |
Japonisme in Ceramic Art [Tōgei no Japonisumu]. Nagoya University Publishing, 2016 |
|
37th |
2016 |
KANEKO Mitsuko |
La Poésie Française au XXe Sciècle et le Haïku: Du Japonisme à la Poésie d’Avant-Garde [Furansu Nijū Seiki Shi to Haiku –Japonisumu kara Zenei e–]. Heibonsha, 2015 |
|
36th |
2015 |
MINAMI Asuka |
Crossing the Borders in Japanese Art History: a History of Cultural Exchange in the Era from Japonisme to Japanology 1880-1920 [Kokkyō wo Koeta Nihon Bijutsushi: Japonisumu kara Japonorojī eno Kōryūshi 1880-1920]. Fujiwara Shōten, 2015 |
|
35th |
2014 |
Richard BRU |
Erotic Japonisme: The Influence of Japanese Sexual Imagery on Western Art. Leiden: Hotei Publishing, 2013. |
|
34th |
2013 |
HIROSE Midori |
Art Nouveau Designers: M.P. Verneuil and Japan [Āru Nūvō no Dezainā M.P Vernuiyu to Nihon]. Kureo, March 25, 2013. |
|
33th |
2012 |
IMAI Tomo |
Paper published in the catalogue “Un Goût d’ Extrême-Orient. Collection Charles Cartier-Bresson.” (June 2011) “Un Goût d’ Extrême-Orient, un Regard de Collectionneur de la Fin du XIXe Siècle.” |
|
32th |
2011 |
Manuela MOSCATIELLO |
Le Japonisme de Giuseppe De Nittis, Un Peintre Italien en France à la Fin du XIXe Siècle. Peter Lang, Bern, 2011 |
|
31th |
2010 |
SHIBATA Yoriko |
Le Japonisme du Haiku: P.L. Couchoud et les Echanges Culturels Franco-Japonais [Haiku no Japonisumu Kūshū to Nichifutsu Bunka Kōryū]. Kadokawa Shuppan, 2010 |
|
30th |
2009 |
UEDA Ruriko |
The preparation and edition of the exhibition catalogue for the exhibition Gallé and Japonisme [Gare to Japonisumu], as well as the paper contribution to the catalogue “The Japanese Aesthetics Gallé has Witnessed” [Gare ga Mita Nihon no Biishiki]. |
|
29th |
2008 |
MIYAZAKI Katsumi |
The Arrival of the West in Paintings: Monet, Renoir, Cezanne and Others Who Have Attracted Japanese [Seiyō Kaiga no Tōrai: Nihonjin wo Miryō shita Mone, Runowāru, Sezannu nado]. Nihon Keizai Shimbun Shupppansha |
|
28th |
2007 |
OKABE Masayuki |
The preparation and paper contribution “Japonisme Tablewear –The Japanese Aesthetics that Coloured the Dining Table in Europe and America” [Japonisumu no Tēburuuea –19 Seikimatsu, Ōbei no Shokutaku wo Irodotta Nihon no Biishiki] for the exhibition catalogue for the exhibition Japonisme Tablewear –The “Japan” that Coloured the Western Dining Table [Japonisumu no Tēburuuea –Seiyō no Shokutaku wo Irodotta “Nihon”–]. |
|
27th |
2006 |
SUZUKI Sadahiro |
The Life and Works of Bernard Leach [Bānādo Riichi no Shōgai to Geijutsu]. Minerva Publishing |
|
26th |
2005 |
Claudia DELANK |
Das Imaginäre Japan in der Kunst [Doitsu ni okeru Nihon =Zō]. Shibunkaku Shuppan |
|
HADA Miyako |
The World of Japonisme Novels [Japonisumu Shōsetsu no Sekai]. Sairyūsha |
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|
25th |
2004 |
ONO Ayako |
Japonisme in Britain: Whistler, Menpes, Henry, Hornel and Nineteenth-Century Japan, Routledge Curzon, 2003 |
|
24th |
2003 |
MATSUMURA Eri |
Japonisme in Wallpaper [Kabegami no Japonisumu]. Shibunkaku Shuppan |
|
23th |
2002 |
KOYAMA-RICHARD Brigitte |
Japon Rêvé – Edmond de Goncourt et Hayashi Tadamasa. Paris: Hermann, 2001 |
|
22th |
2001 |
OKI Yukiko |
“Gustave Moreau and Buddhist Art” [Gyusutāvu Morō to Bukkyō Geijutsu] Studies in Japonisme vol. 20 |
|
21th |
2000 |
TAKAGI Yoko |
“Le Japonisme et les Livres Ornementés à la Fin du Dix-Neuvième Siécle en Belgique. Première Partie: Découverte de l’Art du Livre Japonais et Max Elskamp. Deuxième Partie: Réaction Artistique de H. van de Velde, G. Lemmen, F. Khnopff et Th. van Rysselberghe.” Le Livre et l’Estampe, Revue de la Société Royale des Bibliophiles et Iconophiles de Belgique, XXXXV, 1999 no.151. |
|
20th |
1999 |
Christophe MARQUET |
Edition and publication of “H. Cernuschi’s Political and Economical Activities and the collection of Eastern Art (1821-1890).” Report on the symposium commemorating the 100th year anniversary of the Musée Cernuschi – Musée de l’Art de Asie de la Ville de Paris, in the special winter publication of Ebisu, 1998 |
|
SUZUKI Hiroko (Penname: KATSURAGI Shiho) |
“’The Disciple of the Art Dealer’: Theo Van Gogh and Camille Pissarro” [“Gashō no Shito” Teo Fan Gohho to Kamiiyu Pisaro]. In the exhibition catalogue Exhibition of the Major Works in Painting from Impressionism to the 20th Century [Inshōha kara 20 Seiki he no Kaiga Meihinten]. |
||
|
Special Award |
|
FUKAI Akiko |
The curation for the exhibition Japonisme in Fashion (Los Angeles, New York) |
|
19th |
1998 |
MABUCHI Akiko |
Japonisme: Répresentations et Imaginaires des Européens. Brucke |
|
18th |
1997 |
No selection |
|
The Society for the Study of Japonaiserie Award
|
|
Year |
Awardee |
Work |
|
17th |
1996 |
No selection |
|
|
16th |
1995 |
No selection |
|
|
15th |
1994 |
No selection |
|
|
14th |
1993 |
No selection |
|
|
13th |
1992 |
No selection |
|
|
12th |
1991 |
WATANABE Toshio |
High Victorian Japonisme. Peter Lang, 1991 |
|
11th |
1990 |
No Candidates |
|
|
10th |
1989 |
No Candidates |
|
|
9th |
1988 |
MIURA Atsushi |
“Japanese Taste (Japonisme) at the Salons: A Study of the Paintings Depicting Japan at the Paris Salons between 1850 and 1880” [Saron ni okeru Nihon Shumi (Japonisumu) 1850-1880 Nen no Pari no Saron ni Happyō sareta Nihon wo Daizai to suru Kaiga Sakuhin ni kan suru Kenkyū]. Bijutsushi Ronsō vol. 4 |
|
8th |
1987 |
No Candidates |
|
|
7th |
1986 |
TANIGUCHI Hiroyuki |
“W.M. Rossetti’s ‘Hoxai’ [Hokusai].” The Journal of Pre-Raphaelite Studies, vol.VI no.1. “An Introduction to the Formation of Japanese Taste (Japonisme) in England” [Eikoku ni okeru Nihon Shumi (Japonisumu) no Keisei ni kan suru Joron 1851-1862]. Hikaku Bungaku Nenshi vol. 22 |
|
Special Award |
1986 |
INOSE Naoki |
The Portrait of Mikado [Mikado no Shōzō]. Shōgakukan |
|
6th |
1985 |
MIYAJIMA Hisao |
“Samuel Bing and Japan” [Samueru Bingu to Nihon]. Kokuritsu Kokusai Bijutsukan Kiyō vol. 1 |
|
ENDO Eiko |
“On the Unpublished Three Albums of Surimono in the Collection of the National Library in Paris” [Pari Kokuritsu Toshokan Zō Mihappyō Surimono Arubamu Sankan ni tsuite]. Ukiyo-e Geijutsu vol. 80－82 |
||
|
5th |
1984 |
MIWA Hideo |
Edition and publication of A Collection of Kume Keiichiro’s Sketches [Kume Keiichirō Sobyōshū]. Nichidōshuppan; Hōgan Art Theory [Hōgan Bijutsuron]. Chūō Kōron Bijutsu Shuppan |
|
4th |
1983 |
No Candidates |
|
|
Special Award |
1983 |
Siegfried WICHMANN |
Japonismus: Ostasien-Europa Begegnungen in der Kunst des 19 und 20 Jahrhunderts. Schuler Verlagsgesellschaft Herrsching, 1980 |
|
3rd |
1982 |
TSURUZONO Shikiko |
“The Orient and Japan in Modern French Music” [Kindai Furansu Ongaku ni Arawareta Oriento to Nihon]. Japonezurii Kenkyū Gakkai Kaihō vol. 2 |
|
2nd |
1981 |
JOZUKA Taketoshi |
Ukiyo-e Prints that Travelled Across the Sea [Umi wo Wataru Ukiyoe]. Bijutsu Kōronsha |
|
Giovanni PETERNOLLI |
“The Change in Evaluation of Hokusai in 19th Century France” [1800 Nendai no Furansu ni okeru Hokusai Hyōka no Hensen]. Ukiyoe Geijutsu vol. 58; “Concerning Hayashi Tadamasa’s Unpublished Letters to Edmond de Goncourt” [Edomondo Do Gonkūru Ate no Hayashi Tadamasa Mikanshokan ni tsuite]. Ukiyoe Geijutsu vol. 62-63 |
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|
1st |
1980 |
OMORI Tatsuji INAGA Shigemi |
The edition and contribution to the catalogue of the exhibition Ukiyo-e and Impressionism [Ukiyoe to Inshōha] (Tokyo, Osaka, Fukuoka) |